And that time is now.

We sat down with The Great Gatsby producer, set designer and costumer Catherine Martin to get all the dish on how the incredible clothes and sets came together. Meyer writes: “Though Moses may have had commanding features of mind and body, and have been versed in all the learning of his time, yet the marvelous outcome of his life work was not due to any of these qualities, but to the faith that knit his soul to God…He was as thoroughly yielded to the purpose of God as the staff he held in his hand was to his own will.

Exodus 19:3 But you are A CHOSEN RACE, A royal PRIESTHOOD, A HOLY NATION, A PEOPLE FOR God’s OWN POSSESSION, so that you may proclaim the excellencies of Him who has called you out of darkness into His marvelous light; for you once were NOT A PEOPLE, but now you are THE PEOPLE OF GOD; you had NOT RECEIVED MERCY, but now you have RECEIVED MERCY. You are currently browsing the Inspiration category at Smitten: by JMH. In terms of costuming, texture becomes a very important storytelling device. All Rights Reserved.#dailydevotion #quiettime #intimacywithGod #knowingGod #GodsWord #OneHolyPassion #believingGod #worship #victory #PalmDesert #sunrise. Catherine Martin is a film, stage and interior designer with 4 Oscars, 5 BAFTAs and a Tony Award among many other awards. And what an exciting future it is. Along with being honoured as one of Glamour Magazine’s 2013 Women of the Year for her production, set and costume designs, Catherine was inducted into the Rodeo Drive “Walk of Style” for her work on “The Great Gatsby”. It was a hot summer day in the desert where I live. Catherine Martin is a film, stage and interior designer with 4 Oscars, 5 BAFTAs and a Tony Award among many other awards. For You are my hiding place; You protect me from trouble.

Release you’re most eagerly anticipating: Life and Death of the New York Dance Floor, 1980 – 1983 by Tim Lawrence. He considers everything in the shot: the deep background, extreme foreground, the far left and right.

in 2002 and another two for The Great Gatsby in 2014. They say that it’s better when it’s a dry heat. Our life with the Lord is like a dance. Martin is business smart too.

We talked to Martin — the film's production and costume designer, and the wife of its director, Baz Luhrmann — about her creative process, designing sets for 3D, and capturing the feel of 1920s New York in Australia.

Design and Inspiration by Jacquelyn Moore-Hill. The LORD directs the steps of the godly. Create a free website or blog at WordPress.com. Plus, see photos from the set. Catherine Martin, the design master behind The Great Gatsby and "The Get Down," shares her culture diet, featuring her favorite vintage store and … I’m a web editor at ELLEDECOR.com, Housebeautiful.com, and Veranda.com. All Rights Reserved.‪#‎dailydevotion‬ ‪#‎devotion‬ ‪#‎myPhotoWalk‬ ‪#‎trust‬ ‪#‎beautiful‬ ‪#‎encouragement‬ ‪#‎inspiration‬ ‪#‎photooftheday‬ ‪#‎Sedona ‪#‎Arizona‬ ‪#‎pretty‬ ‪#‎birdwatching‬ ‪. More information at www.ministryforwomen.com. Catherine Martin: Baz had been thinking about doing The Great Gatsby for 10 years, but we only started developing the script about three years ago.

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-Carey Mulligan, actress 1.5M ratings 277k ratings See, that’s what the app is perfect for. Answer and save us by Your power. Catherine Martin: Baz had been thinking about doing The Great Gatsby for 10 years, but we only started developing the script about three years ago. Copyright © 2017 Catherine Martin — Quiet Time Ministries. "I'm interested in clothes in the way that other people are interested in cars," she says with a laugh. What powers her is a life-long geek-level obsession with fashion. Did that affect your design choices and ideas? Housebeautiful.com: How does your design process work? It’s like Peter Pan on Crack. In a way, I think that Baz has always been directing for 3D. Catherine and her husband joined the Green Party when their first child was born in 2007, as she wanted to do what she could to deliver a … What visual element are you most proud of?

Psalm 37:23 NLTSomething God has used over the years to help me know and love Him more is myPhotowalk Devotional Photography. Psalm 32:7-8 NLTmyPhotoWalk Photo Devotionshttp://www.quiettime.org/14999/psalm-chp32-verse7-8/Photo by Catherine Martin | myPhotoWalk © 2015 Sony A6000 with 16.0-70.0 mm at 70.0 focal length, ISO 1000, f4, 1/160 sec. Camera: Nikon D810, Nikkor 24-120mm, FL 100mm, ISO 3200, f/8, 1/250sec.

And yet it still feels authentic because it all comes from a deep knowledge and a great amount of research."

As I have walked out in His magnificent creation with my Nikon and Sony cameras and His Word, looking through the lens has slowed me down to see His intricate design.

Along with being honoured as one of Glamour Magazine’s 2013 Women of the Year for her production, set and costume designs, Catherine was inducted into the Rodeo Drive “Walk of Style” for her work on “The Great Gatsby”. It was a hot summer day in the desert where I live. "After working with them," says Nicole Kidman, who starred in Luhrmann's Australia and Moulin Rouge!, "I look at other people and go, 'Where are all the books? Switch off the bed side lamp! Best recent purchase: Shoes for two young friends! My God in His steadfast love will meet me; God will let me look in triumph… Psalm 59:9-10 ESV, myPhotoWalk Photo Devotionshttp://www.quiettime.org/15038/psalm-chp59-verses9-10/Photo by Catherine Martin | myPhotoWalk © 2015 Sony A6000 with 16.0-70.0 mm Zeiss at 61.0 focal length, ISO 100, f4, 1/1250 sec. For The Great Gatsby' s sets, Martin took inspiration from 1920s designer Syrie Maugham, as well as from houses on the Long Island Shore, where part of the film takes place. Catherine Martin is one of my favorite set designers. I will advise you and watch over you. I feel like the queen of England. Ask a Designer : What's the Difference Between Tartan and Plaid?

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